Bruce Arnold’s New CD Release! GIVE ’EM SOME

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Bruce Arnold - Giv 'em Some

GIVE ’EM SOME

Featuring:
Bruce Arnold-Processed Guitar
Ratzo B. Harris-Bass
Tony Moreno-Drums

Slamming grooves, mind-boggling playing, and a planetarium’s worth of sounds characterize the latest work by Bruce Arnold. This one captures the heated improvs, Frippy loops, soPhish-tication and all-out where-did-these-guys-come-from brain dancing the trio has been known for in its live performances.
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Blues ’n’ Funk + Rock ’n’ Roll + Classical ’n’ Jazz = GIVE ’EM SOME!

In guitarist Bruce Arnold's new release "Give "Em Some" (Muse Eek 116) Rock, Funk, Jazz, and 20th Century Classical music combine to create a sound that seems familiar, yet is actually remarkably different.
Bruce Arnold has built his reputation on his critically acclaimed explorations into twelve-tone structure. He now presents a CD of music that is both muscular and intellectual, bringing together the interactive nature of jazz with the hard driving groove of rock and the bracing, bittersweet flavor of post modern classical sounds. The three musicians, Bruce Arnold, Ratzo B. Harris on bass, and Tony Moreno on drums and percussion have played together for 10 years. They negotiate this landscape with grace and passion, and Bruce lets loose with the fiery inspiration that has made him one of New York’s established artists.


photo by Michal Shapiro
On first hearing "Give 'Em Some" a listener might not focus on the stringent form that went into this set of 6 compositions for trio. The pieces, made more accessible by blues or rock structures may sound simpler than Mr. Arnold's previous work. "The challenge was that I was soloing over some pretty shifty twelve tone based chord patterns, and rocking out at the same time," says Bruce. "But I really let loose on this CD."
The Tracks: "Blues for Arnie" is a piece dedicated to the seminal composer Arnold Schoenberg. Not strictly a blues, it nonetheless embodies the energy and emotion that the blues has brought to American music. The title track, "Give 'Em Some" is an extremely intricate chord progression supported by a strong and funky groove. Tony Moreno's astonishing final drum solo distills technique and passion into a crescendo of excitement. "Smoke" journeys into the bluesy wah-wah land of Jimi Hendrix, the great artist and innovator, whose influence lurks in the playing of all electric guitarists. "Time Line" is an extended rock ballad reminiscent of Jeff Beck, another guitar icon. Along with delving into the richness of 12 tone harmonies the tune also explores the time relationships of 4 against 3 and metric modulation. "Techtonic" is reminiscent of Bruce’s early work with a deep harmonic palette, contrapuntal lines and interesting 12 tone vamps. "Rush" is a pastiche of groove and a gamut of evocative electronic guitar sounds with bookends of effects processed solo work. "Funky Timeline Breakdown" uses the bass line from "Time Line" as a vehicle for soloing "I loved soloing over that one!" says Bruce.
For more information, interviews, or photos, contact: Michal@muse-eek.com

The Tracks: Portions of the tracks are provided here as MP3 files. Click on the song names below.
On first hearing "Give 'Em Some" a listener might not be aware of the stringent form that went into this set of 6 compositions for trio. The pieces, made more accessible by blues or rock structures may sound simpler than Mr. Arnold's previous work. "The challenge was that I was soloing over some pretty shifty twelve tone based chord patterns, and rocking out at the same time," says Bruce. "But I really let loose on this CD."
Blues for Arnie is a piece dedicated to the seminal composer Arnold Schoenberg. Not strictly a blues, its structure embodies the energy and emotion that the blues has brought to American music.

The title track, Give 'Em Some is an extremely intricate chord progression supported by a strong and funky groove. At the end of the tune Tony Moreno takes a totally amazing drum solo, one that distills technique and passion into a crescendo of excitement.

Smoke is a journey into the bluesy wah-wah land of Jimi Hendrix, the great artist and innovator, whose influence lurks in the playing of all electric guitarists.
Techtonic is reminiscent of Bruce’s early work with a highly rich harmonicpalette, contrapuntal lines and interesting 12 tone vamps.
Time Line is a Jeff Beckish extended rock ballad. Along with delving into the richness of 12 tone harmonies the tune also explores the time relationships of 4 against 3 and metric modulation.
Rush is a pastiche of groove and a gamut of evocative electronic guitar sounds with bookends of effects processed solo work. "
Funky Timeline Breakdown uses the bass line from "Time Line" as a vehicle for soloing "I loved soloing over that one!" says Bruce.

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